A “Champion Tree” is a specimen that has been measured to be the largest of its species (see “Champion Tree Registry“). The findings are based on a points system that considers tree height, trunk circumference, and average crown circumference (there’s a manual that spells out the details).

Playing on this idea, the Pacific Bonsai Museum is currently featuring an exhibit called “Little Champions” that looks at eight specimens that are native to the West Coast. It’s a great example of the bonsai work that can be done with native material.

First up is an Engelmann spruce that’s been in training since 1978. Harvested from about 4600′ on the slopes of Mt. Hood, this specimen suggests the rugged terrain in which the species thrives at a much smaller scale than the tallest of the species (179′).

Engelmann spruce

Trunk and foliage detail

Next up is a vine maple on loan to the garden from Michael Hagedorn. It was collected at about 4000′ from a lava flow in the Cascades. (Forgive the netting around the pot – it’s job is to deter critters from digging up the moss.)

Vine maple

The coast redwood below was donated to the garden by Toichi Domoto, a well-known California nurseryman and bonsai grower. Domoto started this bonsai from a three-year old seedling in 1957 and trained it for thirty years before donating it to the Museum (learn more about Toichi Domoto).

Coast redwood

In 2018, the museum presented the LAB (Living Art of Bonsai) Project which featured work from bonsai professional Ryan Neil, ceramicist Ron Lang, and furniture designer and craftsman Austin Heitzman (learn more about the LAB). The basic idea was to mix up the order in which tree, container, and stand are created to see what happens.

The composition below started with Lang’s container. Heitzman then created the stand to complement the container. Finally, in 2020, Neil planted the root over rock Douglas fir and this composition came to its initial completion.

Douglas fir

Stand and container detail

Sitka spruce can grow to massive sizes and live to be over one thousand years old. This specimen was collected in a parking lot on the Olympic Peninsula in Forks, Washington. The pot was from the museum’s Decked Out exhibit in 2016.

Sitka spruce

The subalpine fir is one of a number of coniferous species that takes on a standard forest tree shape at lower elevations but can become contorted and character-filled in more extreme environments. The specimen below, created by David De Groot, is no exception. The container is by Jan Rentenaar.

Subalpine fir

If you missed last week’s post, check out photos from the “Small Talk” exhibit. And if you’d like to see these trees in person, start planning your trip by visiting the Pacific Bonsai Museum website.

News & Updates

[2026 Kokufu Dates]

• The 100th Kokufu exhibition, the top bonsai show in Japan, will be held on February 8-11 (part 1) and February 14-15, 17-18 (part 2, the museum is closed on the 16th), 2026. The event will be held at the Tokyo Metropolitan Art Museum in Ueno Park in Tokyo.

Black pines are one of a number of species that don’t naturally produce balanced growth. These pines are likely to produce strong shoots near the apex or at the ends of lower branches and weaker shoots everywhere else.

Of the many ways to balance this growth, the most effective I know of is to decandle the spring growth at different times. I start by decandling the weakest shoots, wait one or more weeks, and then decandle the strongest shoots.

If the tree has small, medium, and strong shoots, I might decandle on three different days ten days apart. If the tree has small and strong (but no medium) shoots, I might decandle on two different days two or three weeks apart.

The basic idea is that you give the weak shoots more time to produce summer growth and you give the strong shoots less time to produce summer growth (see “Decandling, an in-depth guide” for details).

I typically only do this on a handful of trees each year, and some years I don’t do it at all. If, however, I see the need and I have the opportunity, I give it a go. Here’s how this works in practice.

The black pine below has a number of really strong shoots, but the rest of the shoots are relatively weak – a perfect candidate for the multi-day approach.

Black pine with unbalanced growth

I start the decandling process by removing the smallest shoots.

After decandling the small shoots

It’s hard to see the difference between before and after this work as the small shoots in this case were much smaller than the strongest. Here’s a close-up.

Close-up showing decandled shoots and remaining strong shoots

About a week and a half later, I removed the strongest shoots and plucked some needles. I kept three pairs per shoot at the top of the tree, four pairs per shoot in the middle, and five pairs each on the lowest branches.

After decandling and pulling needles – 17″

I haven’t shared an update about this tree in a while as I’ve been rebuilding the apex for the last few years (see “Black pine – work in progress“). Now that the new branches have begun to fill in, I plan to wire the tree and refine the silhouette the next time I work on it.

Seeing photos ahead of time didn’t adequately prepare me for the literal wall of bonsai that greets visitors at Peter Macasieb’s garden.

Peter Macasieb’s garden

Peter has been a fixture in the Southern California bonsai scene for years. I’ve been wanting to see his collection up close and was excited to learn that I’d have the opportunity to visit on a recent trip to the area.

Peter’s wall of bonsai

Peter Macasieb

One thing that makes Peter special is that he creates many of the shohin he works with from scratch. Just across from “the wall” are several benches of young junipers, pines, and zelkova, among other species, that he’s been working on for years.

Pines and junipers

Young zelkova

Peter uses this material for workshops he hosts locally and at events like the California Shohin Seminar. As a grower, Peter is doing a fantastic job creating material that the shohin community is hungry for.

Peter’s Tokonoma

The sheer size of Peter’s collection makes it easy to miss how many different species he’s growing. It’d be fun to visit in winter to see the deciduous trees without leaves.

Zelkova

Japanese maple

Based on the material Peter’s currently working on, it looks like there will be a lot more special trees to see in his garden the next time I visit.

Shimpaku juniper

Olive

See an in-depth video tour of Peter’s garden on the Baikoen Bonsai Club’s YouTube channel. You can get in touch with Peter on FB or IG.

News & Updates

[Links to black pine videos]

• I recently had the opportunity to work with volunteers at the Huntington who were working on decandling. Check out videos of us covering decandling basics and pine cutback basics.

I drew a lot of inspiration from my visit to Tom Vuong’s bonsai garden. It wasn’t just the trees, but the way he handled them.

California juniper

Semi-cascade California juniper

Tom came up with many the techniques he uses on his own. This extends to the way he collects junipers, bends large branches, and works on deadwood. He air layers black pines – even cork barks – regularly, and has perfected a method for grafting pines using candles before they’re fully open. Over time, Tom’s hard work has produced a large number of (large) trees that wouldn’t be bonsai without his vision and novel techniques.

California juniper

Cork bark pine

Rows of shimpaku with full silhouettes, many grafted over the years, offered contrast to the deadwood-focused designs of the garden’s California junipers.

Shimpaku

The largest of the olives are more than three feet in diameter at the base.

A massive olive

What might look like an average to large-size bonsai in Tom’s garden would stand out as giants in most collections.

Extra-large California juniper

Tom standing next to the tree for scale

That’s right – a number of the trees in Tom’s garden are over six feet tall.

A tall California juniper

Deadwood detail

While I wandered through his garden, Tom generously answered questions and pointed out examples of whatever we were talking about. He’s a fantastic guy and I highly recommend a visit to his garden if you find yourself looking for dramatic additions to your collection.

Junipers with ancient deadwood features

Getting to know David Nguy over the years has been a pleasure. The first time we had a chance to talk at length was on a trip to Japan about eight years ago. He invited me to his garden that day, and I’d been looking forward to seeing it ever since.

Earlier this year, I was lucky enough to visit David and June at their home in Southern California. What a treat! Their huge garden is filled with a variety of species at different stages of development. Foremost among these species are one of David’s specialties – California junipers.

David Nguy

Most of the trees in the garden ranged in size from big to bigger. Here are some of the more developed specimens.

Grafted California juniper

California juniper

California juniper

California juniper

California juniper

Of course, David’s garden featured other species too, including the pine below.

Japanese Black pine

To the side of the main courtyard was a space filled with trees that were in much earlier stages of development.

California juniper

California juniper

Giant California juniper

Another large California juniper

I’d like to thank David and June for being great hosts on my visit, and Michael Roberts for making the trip possible. I hope I can visit again soon!

To learn more about David, visit his website, Bonsai Jidai.

News & Updates

There’s a lot going on this summer! Here’s an overview of events to check out.

Local Events

• Accent plant/kusamono workshop with Young Choe: bring your accent plants for a tune-up or design new creations from scratch! Workshop will be held in my garden in Alameda. Spaces are available for $100. Attendance is limited to six participants. August 12 from 3:00 – 6:00 p.m. in Alameda, California. Plant material and containers will be available for purchase at the workshop. Reply to this email to register.
• Bonsai Pot Exhibit at Hakone Gardens: see work by Denise Soultanian on display through December 26, 2025, at Hakone Gardens in Saratoga. If you plan to visit, call ahead to make sure that the CEC building is open to the public (they often have events in that space). See the Hakone Gardens website for details.
• Redwood Empire Bonsai Society annual exhibit, August 23-24 in Rohnert Park. Demonstrations by Mike Pistello both days. Learn more at the event website.

Regional Events

• The 47th Mid-America Bonsai Exhibit, August 15-17 at the Chicago Botanical Gardens. Sponsored by the Midwest Bonsai Society, the event features workshops, demonstrations, an exhibit and vendor garden. I’ll be doing a demonstration at 1:00pm on Saturday the 16th in the main auditorium. Learn more at the event website.
• Naka Memorial Exhibit Bonsai Show, August 16 & 17 at the George J. Doizaki Gallery in Los Angeles. Learn more at the event website.
• Wild Thing at the Clark Bonsai Museum: collected bonsai on display through October 6 at the Clark Bonsai Museum in Fresno, California.
• The 9th U.S. National Bonsai Exhibition in Rochester, New York, September 13-14. Presenters include Toru Suzuki from Japan’s famous Daiju-en garden in central Japan, Juan Andrade from Costa Rica, and Tony Bebb from Australia, among others. Learn more at the event website.
• The American Bonsai Society’s 2025 Learning Seminars in Rochester, New York, September 12-13. This year’s line-up features Bjorn Bjorholm and Todd Schlafer plus 13 additional presenters. Pot contest new this year! Learn more at the event website.
• Bonsai on the Bay: the LSBF annual convention in Corpus Cristi featuring guest artists Mike Lane, Jennifer Price and me. September 18-21. Learn more and register at the LSBF Convention website.

This past weekend I had the pleasure of serving as the featured guest at the 47th Annual Mid-America Bonsai Exhibit hosted by the Midwest Bonsai Society. It was a fantastic weekend thanks to the hard work of the organizers and volunteers that made the event possible.

The show takes place at the Chicago Botanical Gardens, a beautiful setting for a bonsai event, in Glencoe, Illinois. I spent Friday morning judging the exhibit and provided a critique that evening. I’m always looking for a better word than ‘critique’ as it’s more of an opportunity to highlight work that’s done well and to provide suggestions for further improvements. The rest of the weekend featured workshops, a demonstration, and plenty of shopping opportunities with the 36 vendors on site.

Visitors come from all over the Midwest making this a great opportunity to catch up with friends from throughout the region – a rare treat as I haven’t had the chance to visit the area recently.

At the event’s core, however, is the exhibit. Here are some of the highlights.

Hinoki

Clump-style Japanese maple

Limber pine

White pine and zelkova

Variegated Asian jasmine

Foliage detail

Eastern white cedar

Eastern white cedar

Umbrella tree

Juniper display

Thanks again to everyone who made the event a success and a special shout out to VP of Special Events Matt Mazza who coordinated the festivities and made my participation possible – thanks, Matt!

News & Updates

• The Redwood Empire Bonsai Society’s annual exhibit is this weekend, August 23-24, in Rohnert Park. Demonstration by Mike Pistello on Saturday at 1pm (there’s no demonstration on Sunday). Learn more at the event website.

• I recently had a fun chat with Evan Pardue on the Little Things for Bonsai People Podcast – you can listen to the interview here.

While I was in town for the recent Mid-America Bonsai Exhibit, I had the opportunity to visit and learn about the bonsai collection at the Chicago Botanic Garden. Curator Chris Baker and Seasonal Bonsai Assistant Angelica Ramirez led me through a tour of the facility that included the work areas, multiple greenhouses for overwintering trees at different temperatures, and the public display courtyards.

Angelica Ramirez and Chris Baker

Chris is the garden’s first full-time curator. After volunteering for a few years at the U.S. National Arboretum, he was able to secure a six-month apprenticeship at the Daiju-en garden in Japan with Toru Suzuki. Upon his return to the US, Chris received a “First Curators” Internship at the U.S. National Arboretum. These experiences led him to Chicago where he’s served as curator since 2014.

Limber pine

Angelica has also served at both the US National arboretum (as the National Bonsai Apprentice) and at the Chicago Botanic Garden. In addition to working at the Garden, Angelica maintains a database of active ceramicists making bonsai pots (check out her awesome resource “Discover Potters“). She’s also coordinating the American Bonsai Society’s 2025 Bonsai Pottery competition (you can see the finalists on display at this year’s ABS Learning Seminar in Rochester, NY).

Green Island ficus by Angelica Ramirez

As for the collection itself, there are more than 300 specimens representing scores of species from around the world. Early accessions include many bonsai that came from Japan. In recent years, Chris has expanded the collection to include more US native species.

Hinoki cypress

Ponderosa pine

As you can imagine from looking at the image above, the changing light throughout the day makes individual trees worthy of repeat visits. I checked out the trees in the courtyards throughout the weekend and enjoyed the different lighting conditions.

Field elm

Natal plum

Brazilian rain tree

Jade

Shimpaku

If you find yourself in the Chicago area, I highly recommend visiting the bonsai collection. Learn more or plan your visit here.

News & Updates

[Seattle area workshops]

• If you’re in the Seattle area, I’ll be leading workshops on Friday, October 31 and Saturday November 1 at Bonsai Northwest. Friday’s class will focus on trees in early or middle stages of development. Saturday’s session will focus on fall work for black pine bonsai. Learn more and sign up at the Bonsai Northwest website.

[California Convention]

• The 2025 Bonsai Rendezvous will be held on October 24-26 in Santa Nella, California. Here’s the latest: there is still time to register, there are spaces available for several of the workshops, and there are lots of opportunities to volunteer (please consider helping out for a free t-shirt!). Come see presenters Mauro Stemberger and Suthin Sukosolvisit, watch the Rising Stars competition unfold, shop in the vendor area, or enjoy the exhibit. Learn how you can take part at the Rendezvous website.

The Redwood Empire Bonsai Society held their annual exhibit last month at the Rohnert Park Community Center in Rohnert Park, California.

This year’s event featured a demonstration from Mike Pistello, member tree sales, and a good mix of vendors. It also included a trees-in-training display with bonsai presented by members who are relatively new to the hobby. It was a well-executed display with different species at different stages of development. Some trees were in plastic pots and some had yet to be wired, but all were arranged carefully and accompanied by accent plants. I hope to see more displays like this in the future!

As for the main exhibit, some of the first trees to greet visitors were large coast redwoods.

Coast redwood

Another tall coast redwood

Conifers are a common choice for summer shows, but there were a few deciduous bonsai in the exhibit and a pyracantha loaded with fruit that was just starting to turn color.

Pyracantha

Japanese maple

It was fun to see two atlas cedars in the exhibit, one green and one blue. Cedars are a good fit for summer shows as most of the spring growth has hardened off and the trees are covered with a fresh flush of foliage.

Atlas cedar

Blue atlas cedar

California privet

Garden juniper

Coast redwood

One of the junipers in the show was a “tanuki,” a bonsai created by training a young tree around a piece of deadwood to make it look like a much older composition. When tanuki are well excecuted, they can be hard to discern from much older trees.

Tanuki – a young shimpaku, in this case, trained on a much older piece of deadwood

I’m often asked if it’s OK to show tanuki. In general, I think it’s fine to display tanuki at exhibits, and it’s up to the organizers to determine whether or not to disclose that a given tree is a tanuki. That said, it’s far less common for tanuki to show up in regional exhibits. As more selective events by their nature, regional shows typically focus on bonsai with the most prized characteristics which include the age of the tree.

Is it OK to display tanuki in your club’s show? Let us know in the comments below.

News & Updates

[Seattle Area Workshops]

• If you’re in the Seattle area, I’ll be leading workshops on Friday, October 31 and Saturday November 1 at Bonsai Northwest. Friday’s class will focus on trees in early or middle stages of development. Saturday’s session will focus on fall work for black pine bonsai. Learn more and sign up at the Bonsai Northwest website.

[Regional Events]

• The 9th U.S. National Bonsai Exhibition in Rochester, New York, September 13-14. Presenters include Toru Suzuki from Japan’s famous Daiju-en garden in central Japan, Juan Andrade from Costa Rica, and Tony Bebb from Australia, among others. Learn more at the event website.
• The American Bonsai Society’s 2025 Learning Seminars in Rochester, New York, September 12-13. This year’s line-up features Bjorn Bjorholm and Todd Schlafer plus 13 additional presenters. Pot contest new this year! Learn more at the event website.
• Bonsai on the Bay: the LSBF annual convention in Corpus Cristi featuring guest artists Mike Lane, Jennifer Price and me. September 18-21. Learn more and register at the LSBF Convention website.

About a year and a half ago, I mentioned that I’d like to visit Walter Pall’s garden. The message got through to Walter (thanks, Jennifer!), and last week I was able to make the trip a reality.

Each summer Walter conducts a master class for students and friends at the Bonsaigarten Munich, a public bonsai garden and nursery created by Thomas Haering in the small Bavarian town of Zorneding, just outside of Munich.

The group meets a few times a year in different cities around Europe. The most recent session brought together Jennifer Price (USA), Andy Bello (USA), Lukas Sirotny (Czech Republic), Maros Belan (Slovakia), Kestutis Gailius (Lithuania), Andrija Zokic (Croatia), Thomas Haering (Germany), and Walter’s helper Benedikt Schwabl (Germany).

The format of the class is simple – everyone works on one of Walter’s trees and the group discusses the work before and after it is completed. Most of the material is collected European conifers with a handful of imported Japanese conifers. The work ranges from initial stylings to refinement of mature imported specimens.

I arrived on a Friday straight from the airport a few hours after the group got started. Already the trees were taking shape.

Andrija carving deadwood

Kestutis and a mugo pine (2nd styling)

Lukas and a European spruce

Right in the middle of the room was a beautiful Japanese hemlock planted on an artificial stone. Walter had selected the tree so I would have a fun project to work on over the weekend.

Japanese hemlock

At times the workshop got crowded. Visitors to the garden – up to ten at a time – would wander through the space as we worked giving the event a lively feeling. Most of the visitors spoke at least some English and didn’t hesitate to ask participants questions as they worked.

The real highlights of the session, beyond making friends and working on great material, came when we gathered to discuss the work. This typically began with the stylists describing what they did to a given tree and what the plan would be going forward.

Lukas had brought a batch of 8 Euro (about $9.40) field-grown yew that made for interesting studies of how to handle rough material.

Andrija and Benedikt discussing a field-grown yew

Walter followed these presentations with suggestions for further development or stories about the tree’s histories.

Walter discussing design options

Some of the stories were unexpected. The European spruce below was collected by Randy Knight years before and has since been maintained by Walter. The tree was one of several styled by Jennifer Price over the weekend.

Jennifer styling a spruce

Initial styling complete

A common refrain that came up during Walter’s critiques was that a lot of the material presented “flaws” that made the trees good candidates for less conventional styles. Many had dead central leaders with one or more side branches which had started to grow upward in its place. The result was often a bonsai with multiple apices.

Spruce with a dead central leader

For some participants, the event was an opportunity to refine skills that didn’t come up in their daily bonsai practice. This was definitely the case for Andy Bello. Andy is the Assistant Curator at the US National Bonsai and Penjing Museum where maintenance and refinement tasks are more likely to fill his days than initial stylings.

Andy styling a collected spruce

Andy also had the opportunity to style a fantastic pine.

Andy Bello

My work on the hemlock entailed moving the top and back branches to give the tree more depth and then thinning the foliage to ensure the lower branches received adequate light. The tree will be due for more detailed work after it recovers from this year’s work.

Japanese hemlock

It was a treat for me to see so many European natives. European spruce, mugo pine, and Scots pine are more likely to be nursery grown in the US so it was fun to see collected specimens in person.

Cembra pine

Scots pine

Maros and a European spruce

Maros Belan is a Slovakian YouTuber – you check out his channel here.

Maros working on a yew

By the end of the weekend, Walter couldn’t resist joining in. His assistant Benedikt was working on an old spruce that was due for cutback.

Walter and Benedikt

Benedikt showing off the result

Although it was sad for me to get to the end of the weekend, most of the other participants were already planning the next master class for a weekend in the Czech Republic at Lukas’ garden. I don’t know when I’ll get the chance to visit the group again, but I’ll be looking forward to it when I do!

The 2025 summer Master Class: Maros, Jonas, Jennifer, Andrija, Lukas, Walter, Thomas, Andy, Kestutis, and Benedikt

News & Updates

[New Podcast Episodes]

• During my visit to Germany, I had the opportunity to interview Walter for the Bonsai Wire podcast. You can catch the discussion wherever you listen to podcasts or watch it on YouTube.

[Regional Events]

• This weekend is the US National Exhibition in Rochester, New York. If you’re in the area, now’s your chance to visit! Running concurrent with the event is the American Bonsai Society’s Learning Seminar. Learn more at the US National Bonsai Exhibition and the 2025 Learning Seminar.

[Northern California]

• The East Bay Bonsai Society will hold their annual exhibit at the Lake Merritt Garden Center in Oakland, California, on September 20-21, 2025. Come see the show and enjoy a demonstration by Michael Hagedorn. Hours 10:00am – 5:00pm Saturday and 11:00am – 4:00pm Sunday. Admission is free. Learn more at the EBBS website.

One of several side trips on my recent visit to Germany took us to Heidelberg to see Minoru Bonsai, the garden of Michael Tran.

Michael Tran

Michael, who studied with Udo Fischer, among others, founded the garden in 2009 and hosted several high-profile events featuring international bonsai professionals known as Generation Bonsai.

Michael’s garden features a fun mix of juniper, larch, and oak, among other species, but is best known for its pines.

Mugo pine

It was really fun to see the mugo and Scots pines as they both have unique characteristics that make them great candidates for training as bonsai. Both have relatively short needles with sturdier, darker needles on the mugo and airier, pale green foliage on the Scots. The natural movement and deadwood on both is fantastic.

Mugo pine

Mugo pine

Mugo pine

Scots pine

Michael was a fantastic host, showing us his favorite trees despite some light rain.

Mugo pine

Mugo pine

Juniper

Sabina juniper

The juniper above was jaw-dropping. It takes Michael 2-3 days to clean the deadwood by hand!

After wrapping up our tour, we headed off to the Bonsai Zentrum Heidelberg. More on that in next week’s post.

News & Updates

[California Convention]

• The 2025 Bonsai Rendezvous will be held on October 24-26 in Santa Nella, California. There is still time to register, and there are spaces available for several of the workshops, plus there are lots of opportunities to volunteer (please consider helping out for a free t-shirt!). Come see presenters Mauro Stemberger and Suthin Sukosolvisit, watch the Rising Stars competition unfold, shop in the vendor area, and enjoy the exhibit. Learn how you can take part at the Rendezvous website.

[Seattle Area Workshops]

• If you’re in the Seattle area, I’ll be leading workshops on Friday, October 31, and Saturday, November 1, at Bonsai Northwest. Friday’s class will focus on trees in early or middle stages of development. Saturday’s session will focus on fall work for black pine bonsai. Learn more and sign up at the Bonsai Northwest website.

[Recent Podcast Episodes]

• Tyler Sherrod and I discuss the bonsai scene in the Southeast US.
• JD Côté and I discuss why we grow bonsai and look at the Canadian bonsai scene.
• Lots of new episodes on the Bonsai Builder’s Podcast.

The Bonsai Zentrum Heidelberg is a large bonsai nursery and event center owned and operated by Edis Ziegler. A previous incarnation of the business had closed in 2006 prompting Edis to acquire the property, renovate, and reopen it in 2008. Since then, the operation has grown into a premier destination for bonsai, containers, suiseki, and koi.

Hornbeams

Yew

Juniper

When I arrived at the Zentrum, I couldn’t believe the scope of the operation. There were hundreds – maybe thousands – of trees and containers imported from Japan, Korea, China, and Indonesia in a beautiful garden setting accented by specimen trees.

Yew

Cork oak

Olive

In addition to serving as a bonsai nursery, the Zentrum hosts events like weddings and banquets at which guests can enjoy the bonsai and gardens.

Juniper

Scots pine

Juniper

Needle juniper

Maples

One of the highlights for me was seeing species with which I’m not familiar with as bonsai. One of these was Acacia arabica, aka Vachellia nilotica.

Gum arabic

These massive collected specimens grow quickly and respond well to bonsai training techniques.

Gum arabic

Gum arabic

Gum arabic

If you’re anywhere near Heidelberg, I highly recommend a visit. Learn more about the Bonsai Zentrum Heidelberg.

Last month, William N. Valavanis hosted the 9th US National Bonsai Exhibition in Rochester, New York. The event brought bonsai enthusiasts together from across the US and around the world to enjoy an awesome exhibition, a superb collection of vendors, and a weekend of bonsai programs.

This year’s judges, Toru Suzuki from Japan, Tony Bebb from Australia, and Pedro Morales from Puerto Rico, selected the twelve award-winners shown below.

Rounding out the weekend, the American Bonsai Society hosted their annual Learning Seminar at a nearby hotel. The event featured workshops, lectures, and demonstrations plus a huge bonsai pot competition (more on that in an upcoming post).

As part of the Learning Seminars, I led two sessions at the National Exhibition itself: a bonsai critique focusing on design and display, and a guide to shopping in the vendor area.

Here are photos of the award winners. I’ll share more photos from the event next week.

The National Award – Finest Bonsai Masterpiece
Black pine

Joshua Roth Award – Finest Evergreen Bonsai
Juniper

Michael Blanton Award – Finest Deciduous Bonsai
Japanese maple

Bonsai By Fields Award – Finest Medium Size Bonsai
White pine

Joshua Roth Award – Finest Individual Shohin Bonsai
Black pine

Custom Oriental Woodcraft Award – Finest Shohin Bonsai Composition
White pine, black pine, oriental bittersweet, dwarf Asian jasmine, Chinese hackberry, trident maple

New England Bonsai Gardens Award – Finest Classical Literati Bonsai
Black pine

Bonsai Travel Award – Finest Companion Combination

Award-winning tree/accent combination
Hinoki

Futago Bonsai Award – Finest Tropical Species
Ficus

American Bonsai Society North American Award – Finest North American Species
Bald cypress

National Bonsai Foundation All American Award – Finest American Species, In An American Container
Lodge pole pine

Judges’ Special Award – Excellence In Bonsai
Pine

Next up, a look at more trees from the 9th US National Bonsai Exhibition.

Attending regional events like the US National Bonsai Exhibition is a good way to gain an understanding of the work happening within a given community. At the National, the community showing trees represents a big swath of the US. As a result, it features a lot of great trees.

I don’t tire of visiting events like these because there are always opportunities to learn about new trees or see trees in person that I’ve seen in photos for years. The latter is true for the dwarf corkbark elm by Sergio Cuan below.

Yatsabusa corkbark elm

It’s a big tree, and the craggy bark and fine twigs give it extraordinary character. If you’re curious to learn more about the tree’s history, check out Sergio’s account at Bonsai Nut.

Regional events like the National also tend to feature a mix of exotic species as well as natives. The former are often well-developed specimens that took shape over many years.

Japanese black pine

Korean hornbeam

The native trees in regional events are often in earlier stages of development but offer huge potential for future development.

Eastern white cedar

Ponderosa pine

Engelmann spruce

When it comes to shohin displays, it’s simply fun to see well-executed displays. It takes a lot of effort to create a six-tree display so it’s great when you can enjoy them in person.

Shohin display

Shohin display

It’s also fun to see different takes on similar material, whether species or size and style. There were a number of white pines, for example, at this year’s event. By comparing the branch work on each we can get ideas for how to style similar trees and refine our sense of which approaches we like best.

White pine

White pine that flows to the left

White pine ‘Zuisho’ that flows to the right

I expect a show book will be available next year featuring the photos from the exhibition – I’ll post a link when pre-orders open.

News & Updates

[San Diego Area Event]

• This Sunday the San Diego Bonsai Club is hosting their second Bonsai Blast – a one-day affair featuring vendors, workshops, and demonstrations. Japanese bonsai professional Hiroyoshi Yamaji and I will be doing demonstrations at 8:30am (me) and 1:30pm (Yamaji).
  
  I’m really looking forward to the demonstration as it’s a departure from the regular format. Instead of completely styling a single tree, I’ll be working with two trees in earlier stages of development for each of the following species: black pine, cork oak, silverberry, lavender star flower, and Chinese quince.
  
  Learn more and see the complete schedule at the San Diego Bonsai Club website.
  

[California Regional Event}

• The Golden State Bonsai Federation Rendezvous is coming up next weekend! Visitors coming for the day are welcome. Learn more at the Rendezvous website.

After a long hiatus, the US again has a juried bonsai pottery competition. After an initial pair of events in 2001 and 2002 and a follow-up in 2015, we now have an updated competition sponsored by the American Bonsai Society and managed by Angelica Ramirez.

Angelica Ramirez

Angelica’s dedication to promoting bonsai potters is unparalleled. Her online database, Discover Potters, features almost 500 bonsai pot makers working in 50 countries. For this year’s bonsai pottery competition, Angelica coordinated over 100 submissions from around the US and a multiple-round judging process that included a mix of professional ceramicists and bonsai practitioners.

The exhibit

Early rounds were held remotely. Artists submitted photos of their work and a prose description of their process to provide context for the judges. The final round of judging took place in person at the exhibit.

Bonsai potter Roy Minarai and I served as the in-person judges. The process was fantastic and one of the highlights of my trip to the National Bonsai Exhibition this year. Before getting started with the judging, Angelica gave Roy and me an hour-long tour of the exhibit providing information about the process by which the containers were made. (The submissions themselves were anonymous.) Roy and I then spent the next hour casually appreciating and inspecting the containers to get a good sense of build quality, design, and usability.

Handling pots can reveal a lot about the build of a container. When there’s a tree planted in a pot, we tend to focus on the suitability of the design for a given tree. On it’s own, one can consider the container’s weight, balance, and construction.

I can’t convey how fun it was to get to handle such well-made ceramic works. It was like visiting a museum where visitors are encouraged to interact with the collection.

Roy and I spent the next hour in silence independently judging the exhibit using a crafty online interface that involved scanning QR codes and using sliders to indicate our scores relating to build quality and artistic merit.

After enjoying the exhibit room on our own for several hours, the awards were distributed, information cards went out, and visitors entered the space. Here are some of the fantastic containers from the exhibition.

Nao Tokutake
Traditional Unglazed – First Place

Mary J. Lai
Traditional Unglazed – Second Place

Doug Trythall
Contemporary Unglazed – First Place

Denise Soultanian
Contemporary Unglazed – Second Place

Thomas Adcock
Contemporary Unglazed – Third Place

Nao Tokutake
Traditional Glazed – First Place

Mary J. Lai
Traditional Glazed – Second Place

Kenneth V. Hanna
Traditional Glazed – Third Place

Yrene C. Vasquez
Traditional Glazed – People’s Choice Award

Kevin Yates
Traditional Glazed

Pitoon Ekarintaragun
Traditional Glazed

Antony Smith
Contemporary Glazed – First Place

Stacy Allen Muse
Contemporary Glazed – Second Place

To learn more about the event and to see photos from every displayed entry, check out the North American Bonsai Pottery Competition website.

News & Updates

[Save the Date]

• The 2027 Pacific Bonsai Expo will be held on February 6-7, 2027, at the Alameda County Fairgrounds in Pleasanton, California. We’ll have updates about the event soon so stay tuned!

[Podcast]

• Related to the Expo, I had a chance to talk about the show’s judging system with Ryan Neil and Brandon Roberts. You can check it out on the Asymmetry Podcast.

[Shohin School]

• The 2026 Winter Shohin School will be held on January 31 – February 1 at Lincoln Park’s Harrison Recreation Center in Alameda, California. Registration will open in about a week.
  
  The event features one day of display education (Saturday) led by Daisaku Nomoto, a judge for the Gafu-ten exhibition in Japan, and one day of workshops. This year we’re teaming up with Eric Schrader of Bonsaify to provide hand-picked workshop material, and we’ll have time for bring-your-own-tree sessions too. Vendors will be on hand with trees, stands, and containers for shohin bonsai. More info coming soon!

[Seattle Area Event]

• Visit the 11th annual Winter Bonsai Solstice at the Pacific Bonsai Museum in Federal Way, Washington. The event is one of just two evenings all year when the Museum opens its gates after sunset. December 13 from 4:00 p.m. – 7:00 p.m. Related, see the Pacific Bonsai Museum’s recent feature on CBS News Sunday Morning.

A couple of years ago, Andrew Robson and I hosted a Winter Shohin School in Milwaukie, Oregon featuring headliner Daisaku Nomoto from Japan. The event is coming to Northern California next month!

The 2026 Winter Shohin School will be held at Lincoln Park’s Harrison Recreation Center in Alameda, California, on January 31st and February 1st.

Daisaku demonstrating shohin juniper creation
(photo by Aki Yamakawa)

Attendees will learn shohin display basics on Saturday and get a chance to practicing setting up displays with their own trees.

Student display practice
(photo by Aki Yamakawa)

Andrew and Jonas setting up a display
(photo by Aki Yamakawa)

Sunday will focus on creating shohin bonsai. In a change from the last two events, we’re providing trees for ten workshops! Material will include pre-bonsai hand-selected from Bonsaify specifically for development as shohin. Species include winterberry, cork elm, black pine, olive, chojubai, narrow leaf ficus, crabapple, and zelkova.

Zelkova

Black pine

Crabapple

Olive

Willow leaf ficus

Winterberry

Registration is required for entry – the event is not open to the public. Registrants may participate in all lectures and workshops and shop with our vendors. Space is limited to 50 attendees.

To register online and to see more photos of the workshop trees, visit the Shohin School registration page.

News & Updates

[Northern California Sale & Auction]

• Now’s the time to participate in next year’s Mammoth Fundraiser hosted by the Bonsai Garden at Lake Merritt. To submit trees for the auction or to sell (or donate) material at the sale, visit the BGLM website.

[Online Bonsai Competition]

• Be sure to vote this weekend in the Bonsaigers’ X 2025 online bonsai competition on Instagram. This year’s judges include Walter Pall, Todd Schlafer, and Matsusue Koji. Each judge gets one point per round, and the winner of the popular vote gets two points. We’re two rounds in with a couple more rounds to go. The next round of voting opens this weekend – join in via the Bonsaigers’ stories in Instagram.

One of this year’s highlights was getting to spend time with Walter Pall in his garden. After joining his master class for a few days in Zorneding, Germany, I headed to Walter’s garden to record him talking about his trees. The result was a series of nine videos in which Walter shares stories of how he acquired his trees, how he approaches styling, and what he gets out of growing bonsai.

Walter Pall sharing the story of Scots pine

For years I’d been wanting to get a better understanding about the work Walter does. Although seeing photos of bonsai does a good job of expressing the basic idea of one’s work, I’ve found that meeting artists and experiencing their trees in person offers a more complete picture.

Walter’s garden

This was definitely the case in Walter’s garden. Through his naturalistic approach to styling trees, Walter conveys stories about the hardships trees face in harsh alpine environments. A good example of this his “candelabra” European spruce – a tree that has taken on the candelabra form after losing its central leader.

Candelabra European spruce

His work with deciduous bonsai allows viewers to enjoy the trees year round. Were he to create a fuller silhouette, it would be harder to see the trunk and branch structure when the tree is in leaf.

Japanese maple

Japanese maple

Arakawa maple

Throughout the garden were stone slabs, some natural and some artificial, which made compelling containers for the trees.

European spruce

European spruce

European spruce

Ezo spruce

You can learn more about Walter’s trees and hear the stories behind them in the series “Nine Trees with Walter Pall” on YouTube.

News & Updates

[Winter Shohin School]

• Spaces are filling up fast for the 2026 Winter Shohin School. This year’s event will be held in Alameda, California. Headliner Daisaku Nomoto will lead the two-day event focusing on shohin display and development. Learn more and register online.

[WBFF Photo Contest]

• Submit a photo of your tree to the World Bonsai Friendship Federation’s Photo Contest for a chance to win a trip to the 10th World Bonsai Convention in Malaysia! Accepted photographs will be registered in the WBFF 2026 ebook and will be displayed during the convention.
  
  Entries will be judged by Masahiko Kimura. The submission period is open now but will be closing on March 26, 2026. Learn more and submit your photos at the WBFF Photo Contest Website.

For the first time in years, I have a dawn redwood in the garden. It was a favorite species of mine growing up but I’ve only worked on them as bonsai here and there over the years. After working on one last week, I’m not sure why I don’t see more of them trained as bonsai.

I picked up the tree from Cedar Rose Nursery in Placerville, California. The tree was still growing in the ground when I stopped by, so we dug it up and cut off most of the roots, the top half of the trunk, and all of the branches. That didn’t seem to slow the tree down as it produced lots of new growth over the course of the growing season.

Dawn redwood at Cedar Rose Nursery

After one year in a pot

I started work by removing the old leaves but found that small leaflets kept getting stuck between the branches. A small brush made the clean-up easy.

Brushing away old leaves

After removing the leaves it was easy to see some of the flawed branching.

Lots of opportunities to prune!

Some of the more unsightly flawed branches were “bar branches,” branches that emerge at the same level on opposite sides of the trunk.

Bar branches

Although there are good reasons to keep bar branches on occasion, there was no great benefit to maintaining them on this tree as there were plenty of nearby branches that I could use to create the primary scaffold branches.

After removing the branch on the right

The tree looked different after removing several bar branches and thinning branch clusters where more than two or three shoots emerged from the same spot.

After thinning

I also selected a single leader at the top of the tree. I don’t yet know what my plan is for developing the apex (a single leader? multiple leaders that branch out?), but I do know that I’d like at least part of the upper trunk to thicken.

From here the work was straightforward. I shortened the upper branches and wired the remaining branches to give them shape (thanks Mark and Nicole!).

After pruning

After wiring

I plan to prune the top of the tree several times during the growing season next year to give the lower branches time to get stronger. I’ll revisit the structural decisions when I look at the tree next fall.

News & Updates

[Winter Shohin School]

• There are a few spaces left for the 2026 Winter Shohin School (and lots of workshop material available!). This year’s event will be held in Alameda, California. Headliner Daisaku Nomoto will lead the two-day event focusing on shohin display and development. Learn more and register online.

[New Bonsai Book from Japan]

• Last year the Japanese Bonsai Association published a catalog with award winning trees from all 50 years of the Sakufu-ten. The Sakufu bonsai exhibit is an annual event featuring the work of professionals. Each member of the Japanese Bonsai Association can submit a single entry for the exhibit. Many Japanese professionals consider the show’s top award as the most prestigious in Japan.
  
  I’m a big fan of the event and of the book so I was thrilled when I found out I could make them available in the US. Learn more or pick up a copy at the Bonsai Tonight Online Store.

I usually aim to prune flowering quince such as boke, toyonishiki, or chojubai in fall after most of the leaves turn color and begin to fall off. In recent years, however, my garden has lacked the cold required to make this happen.

Flowering quince in early January

When this happens, I defoliate the trees and prune them to give them a short break (they usually start blooming immediately after cutback).

White flowering quince after cutback – 12″

My goal for cutback at this time of year is to remove any shoots growing from areas where I don’t need them and to shorten the year’s new growth to reduce the internode length and create an attractive silhouette.

When are new shoots not needed? When they’re growing downwards or towards the center of the composition, when there are two or more branches emerging from the same spot, or when they are growing in crowded areas that are unlikely to receive enough light during the growing season.

White flowering quince before pruning

After pruning – 10″

As always with alternate budding species, the goal is to prune to outwards facing buds to create attractive movement in the branches.

Chojubai before pruning

After pruning – 11″

Although little wiring is needed at this stage, each of these trees can benefit from modest branch arrangement with a few wires or guy wires. I try to avoid over-wiring quince as the wire can cut in quickly during the growing season if it’s not checked regularly.

News & Updates

[Local Event]

• The Bay Area Bonsai Associates (BABA) will hold their 42nd Annual Bonsai Exhibit next weekend on January 17–18 at the Lakeside Park Garden Center at Lake Merritt in Oakland. The event will include exhibit displays, food, a demonstration by Adam Toth, plant sales, and a raffle.
  
  The event runs from 5:30 p.m. – 9:00 p.m. Saturday (featuring Adam’s demo and light dinner) and 10:00 a.m. – 4:00 p.m. Sunday.

[Seattle Area Event]

• The Puget Sound Bonsai Association will host their 2026 Winter Silhouette Show on January 31 and February 1st at the Bellevue Botanical Garden in Bellevue, Washington, from 10am – 4pm both days. An artist tour of our exhibit featuring bonsai professionals Aarin Packard (Saturday) and David De Groot (Sunday) at 1pm will provide visitors with insights to the displays. Parking and admission are free. Learn more at the Puget Sound Bonsai Association website.

[National Event]

• This fall, the first ever US National Tropical Bonsai Exhibition will be held in Houston, Texas, on September 5-6, 2026. Event organizers Pedro Morales, Mike Lane, Hurley Johnson, and Dawn Koetting are putting together a fantastic program featuring a tropical-focused vendor area, demonstrations, and an exhibit featuring 100 outstanding tropical bonsai.
  
  The team is currently looking for submissions for the exhibit. Submissions will be accepted through June 15. There are also sponsorship opportunities available for businesses and individuals looking to support the event.
  
  To learn more about the event, check out Evan Pardue’s conversation with organizer Dawn Koetting on the Little Things for Bonsai Podcast. To submit a tree, donate to the event, or sponsor an award, check out the US National Tropical Bonsai website.

Last month the Bay Area Bonsai Associates held their 42nd annual exhibit at the Lake Merritt Garden Center in Oakland, California. The event featured an exhibit, sales area, and Saturday evening demonstration by Adam Toth.

Japanese black pine

California juniper

I appreciated that the show included a good mix of deciduous, broadleaf evergreen, and coniferous bonsai. Trees ranged in size from large down to shohin with plenty of trees somewhere in the middle.

It was also fun to see different approaches to the same species. The two coast redwoods below, for example, feature different branch angles, different branch thickness, and different approaches to foliar development.

Coast redwood

Coast redwood

It was also fun to see so many deciduous bonsai in winter silhouette.

Cork elm

Elm and azalea

Jacqueline Hillier elm

Pomegranate

Several small-tree displays provided good contrast to the larger trees in the room.

Shimpaku

Shohin display

Shohin display

The show also featured native material including Sierra juniper and Coast live oak.

Coast live oak

Sierra juniper

Sierra juniper

Walking through a bonsai show has made me excited for the upcoming Kokufu exhibit in Japan. More on that in an upcoming post.

For much of the northern hemisphere, seeing snow-covered bonsai in winter is nothing out of the ordinary. For Keiichi Fujikawa, proprietor of the Fujikawa Kouka-en bonsai garden in Osaka, the sight is far from normal.

Snow-covered bonsai at Kouka-en

Shimpaku juniper

When our small tour arrived at Fujikawa’s garden, I asked how many times it snowed like this in a given year. His answer was never!

White pine

Camellia

I wasn’t sure how long we’d want to walk through the snowy garden, but the longer we stayed, the more I appreciated the beauty of snow-covered trees.

Pine

Trident maple

A few of the temperature sensitive bonsai were moved inside when the snow started, but the rest stayed outside on the benches. The snow wasn’t expected to stick around for more than a day.

Snowy bench

Shimpaku juniper

Pine

Every once in a while an apprentice reluctantly went outside and brushed snow off the branches to prevent them from breaking under the weight of the snow. Within minutes, the trees were covered again.

White pine

Pine

Ume flowers

After a day visiting gardens in the snow, our group headed up to Tokyo for the Kokufu exhibit. More on that next week!

News & Updates

[Southern California Event]

• There’s one day left of the Bonsai-A-Thon, one of Southern California’s biggest events of the year! The Bonsai-A-Thon is an annual fundraiser held at the Huntington in San Marino, California.
  
  Headliner Sergio Cuan will share a presentation about deciduous bonsai from 11:00 a.m. to 2:00 p.m. on Sunday. Additional demonstrations will be held from 10:00 a.m. to 2:00 p.m. featuring Mel Ikeda, Robert King, Bob Pressler, and Al Rivera.
  
  The weekend will also feature a tour of the bonsai area by Daniel Deephouse at 11:00 a.m.
  
  A number of vendors will be on hand with an assortment of trees, pots, and supplies, plus live and silent auctions means there are lots of opportunities to shop!
  
  Learn more at the 2026 Bonsai-A-Thon website.
  

[Northern California Event]

• The Mammoth Fundraiser will be held on Saturday, March 7th (auction), and Sunday, March 8th (general sale and vendor area). Learn more at the Bonsai Garden Lake Merritt website. More details coming soon!

Last month the Japanese Bonsai Association hosted the 100th national exhibit, the Kokufu, at the Tokyo Metropolitan Art Museum in Ueno Park, Tokyo.

The event was busier than it has been in recent years, and a larger percentage of the visitors were foreign. As for the bonsai, there was a good number of special trees that are always a treat to see.

Rose

Black pine

Some of my favorites won awards, others simply made the room look great. Some, like the Chinese quince below, were so twiggy that I had to reset my thinking about what’s possible with the species.

Chinese quince

Chinese quince

A lot of the trees that stood out to me this year were deciduous.

Japanese maple

When standing in front of these trees, it was easy to get lost following the branches as they meandered from the trunk out towards the edges of the canopy. Trees like these had been skillfully worked on for decades – and it showed.

Korean hornbeam

Korean hornbeam

Trident maple

Of course there were spectacular conifers in the exhibit as well. Here are some of the remarkable junipers on display.

Shimpaku juniper

Shimpaku juniper

Shimpaku juniper

Although in recent years it’s become common to see large junipers with massive trunks, it’s the exceptions that stand out the most to me. The juniper below has fantastic character along the trunk. Slender lifelines supported by undulating deadwood feature more delicate movement with give this old tree – and its viewers – a very different feeling.

Shimpaku juniper

Up next, highlights from the second half of this year’s two-part exhibit.

News & Updates

[Northern California Event]

• The Bonsai Garden at Lake Merritt’s annual fundraiser, the Mammoth Auction and Sale, will be held this Saturday and Sunday in Oakland, California. On Saturday the main event is the largest auction in Northern California. On Sunday, it’s a plant sale and vendor area. Learn more at the Mammoth Auction & Sale website.

[Auction Tips]

In preparation for this weekend’s auction, here are some tips to help you get the most out of the event.

• If you’re interested in taking home an item but want to feel good about the purchase, set limits ahead of time for how much you’d like to spend (and how much above this limit you’re willing to actually bid).

• Check the health of the tree before setting your buy price. For deciduous trees, check the health of the buds and look out for dead branches or dead areas along the trunk. For conifers, check the number and size of visible buds as well as the color and character of the foliage.
  
• Don’t let inside information influence your bids. A long time ago, I stopped bidding on a tree because I knew how much the owner had originally paid for it. It didn’t feel right to pay twice as much as my friend had paid for the tree. This was foolish as the second the bidding ended I remembered that the tree was worth almost double the amount it went for.
  
• Take note of who you’re bidding against, but stick to your plan. Once I stopped bidding on a tree because I didn’t think I could keep up with the other bidder. When the bidding ended, the other bidder ran over with a big smile to let me know how relieved he was I stopped bidding as he’d reached the limit he was willing to pay for the tree. Another lost opportunity!
  
• Above all, remember that the event is a fundraiser. Bonsai auctions are typically organized by volunteers who work hard to provide us with the opportunity to build our collections and have fun while doing it. Keeping the spirits (and the bids) high can make the event a pleasant experience for everyone.

For the past twelve years, the Kokufu-ten has been divided into two halves. For these double shows, the organizers set up the exhibit and open it to the public for a few days, then close for a day or two to reset the show with all new displays. This year the exhibit featured a whopping 181 displays in each half for a total of 362 displays!

Large displays

Shohin displays

This years exhibit featured some pretty big bonsai – here are some of the large conifers.

Shimpaku

White pine

Needle juniper

Semi-cascade white pine

Shimpaku

One of my favorite medium-size trees in the exhibit was a black pine shown with a trident maple. I liked that the tree had strong movement to the left and a surprisingly large trunk for a tree under 18″ tall.

Trident maple and black pine

Black pine

One of the trees that received the most attention in part two was a juniper with a slender trunk. The movement was fantastic and the ribbon of deadwood that formed the trunk was surprisingly thin.

Shimpaku

The deciduous bonsai were equally awesome. Here are some of my favorites.

Four trident maples on a stone

Koran hornbeam

Japanese maple

Chinese quince

Each half of the Kokufu exhibit features a small number of shohin displays. The exhibit is set up to present the large trees first, then the medium bonsai, and finally the shohin. They’re the last bonsai you see before leaving the exhibit.

Six-tree shohin display

Like the larger trees in the exhibit, shohin bonsai are eligible to receive the Kokufu prize. However, instead of awarding an individual small tree, the award is presented to the top display.

The display above received the Kokufu prize in the first half of the event. The display below won the award in the second half.

Shohin display

Not all of the displays featured six shohin bonsai. Some displays featured five trees. Displays with mini bonsai featured far more trees.

Shohin display featuring a Rokko-style stand

Mini-bonsai display

The conventions for displaying shohin bonsai are relatively narrow by US standards. Junipers are the most common species displayed across from the box stand. They are typically shown on root stands, some taller than others.

Junipers on root stands

Some of the individual trees in these displays were fantastic. Here’s a small sample. Note the remarkable branch density for trees that are roughly 8″ tall.

Black pine

Trident maple

Black pine

Japanese maple

Black pine

Kinzu (dwarf kumquat)

News & Updates

[Southern California Exhibition]

• If you’re thinking about submitting to this year’s Naka Memorial Exhibition, August 22-23 in Los Angeles, the deadline is June 15th. The event website has instructions for How to prepare your submission.
  
  And like so many other bonsai events, the Naka Memorial would not be possible with the generous support of donors and volunteers. Learn how you can help at the John Naka Memorial Exhibition website.

The Omiya Bonsai Art Museum is a favorite stop of mine on bonsai tours. It provides visitors with a little history about the Omiya Bonsai Village – a collection of historic gardens, several of which are still operating today – and features a courtyard garden with a rotating selection of bonsai.

Most of these trees have been in training for a long time and show a maturity that’s harder to find outside of Japan.

Ume – Omoi-no-mama
Estimated age: 120 years

Black pine
Estimated age: 100 years

One reason I come back to the museum so frequently is that there is ample space around every tree. Getting to see great bonsai from all angles is great for studying the trees’ shape and structure.

Shishigashira Japanese maple
Estimated age: 120 years

Hinoki
Estimated age: 70 years

The brown foliage on some of the conifers is a response to cold weather. The trees typically green-up when the weather warms in April.

Cryptomeria
Estimated age: 70 years

Ginkgo
Estimated age: 50 years

Some trees, like the ginkgo above, look much older than their estimated age suggests. Other trees are much older than we might casually guess.

Black pine
Estimated age: 250 years

Korean hornbeam
Estimated age: 150 years

More important than age in some cases is the time in training. Each of these bonsai look like they’ve been cared for as bonsai for a long time. This gives them a unique character that distinguishes bonsai from trees found in the natural landscape.

Red pine
Estimated age: (not given – maybe 40)

Shimpaku
Estimated age: 380 years

Learn more about the museum or plan your visit at the Omiya Bonsai Museum website.

News & Updates

[Northern California Exhibits]

• The American Bonsai Association, Sacramento, will hold its 66th Annual Exhibit April 11-12 in Sacramento, California. Guest artist Jennifer Price will perform demonstrations at 1:30 p.m. Saturday and Sunday. Club sales and vendor area open both days. Hours 10:00 a.m. – 4:00 p.m. Saturday and Sunday. Learn more at the ABAS website.
  
• The Kusamura Bonsai Club will hold its 66th Annual Exhibit April 18-19 in Palo Alto, California. Headliner Jennifer Price will perform a demonstration (1:00 p.m. – 3:00 p.m.) Saturday and will lead a critique (at 10:30 a.m.) and workshop (1:00 p.m. – 3:00 p.m., open to public viewing) on Sunday. Tours, benefit drawings, and club sales open both days. Hours 12:00 p.m. – 4:00 p.m. Saturday and 10:00 a.m. – 4:00 p.m. Sunday. Learn more at the Kusamura Bonsai Club website.
  
• The Bonsai Society of San Francisco will hold their annual bonsai exhibit at the 2026 Northern California Cherry Blossom Festival. The exhibit will be held in the Issei Memorial Hall on Saturday, April 18, from 11:00 a.m. – 4:00 p.m. Learn more at the Cherry Blossom Festival website.

[Regional Events]

• The MidAtlantic Bonsai Societies are hosting their Spring Festival on April 17-19 in Harrisburg, Pennsylvania. I’ll be presenting and leading workshops together with special guests Kaya Mooney and Peter Warren throughout the weekend. Learn more at MidAtlanticbonsai.org.

One of the most common stops on bonsai tours in Japan is Shunka-en, the garden of Kunio Kobayashi. By car or train it’s about 20 minutes east of Ueno Park, home to the Kokufu exhibit, in Edogawa.

I first visited Shunka-en, or “spring flower garden,” twenty-seven years ago. Since that trip, the garden has changed a lot. There are several new growing areas and more than double the number of trees, including these junipers and pines in the main courtyard.

Shimpaku juniper

Black pine

Shimpaku juniper

Black pine

Shimpaku juniper

The garden is jam-packed with trees, mostly conifers, in every direction you look.

A section of Shunka-en

Although most of the trees are presented for garden display (the facility is billed as a museum) there are a few prominent trees in development, including the maple grafting project below.

Thread grafts on a Japanese maple

Inside, visitors can enjoy several tokonoma set up with seasonal displays. On the day we visited, the display rooms featured a juniper, a chojubai, and a maple, among other species.

Japanese maple with crazy surface roots

Chojubai

Shimpaku juniper

Just outside the display rooms, a large collection of deciduous bonsai sat on the ground under the protection of the main building’s eves.

Japanese beech

Korean hornbeam

If you’d like to visit Shunka-en, you can plan your trip at the Shunka-en Bonsai Museum website.