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Normal view

Received before yesterday

Designing bonsai in 3D

15 August 2026 at 05:06

We’re used to looking at photos of trees with the camera pointed squarely at the front of the tree. It’s a good way to get the basic idea of a tree’s shape.

Korean hornbeam before pruning

Half-way done

Front view – after partial defoliation

What this approach can hide is what a tree looks like from the side.

Left side

Back

Right side

To provide a better idea about the size and shape of the tree, this Korean hornbeam is 18β€³ tall, 27β€³ wide, and 23β€³ from front to back. The surface roots are 11β€³ wide, and three inches above the soil the trunk is 7β€³ wide.

The tree’s shape isn’t a perfect cone. The top branches are positioned towards the front, a common convention in bonsai design.

For my taste, the apex is too far forward. Over time I’d like to tilt the planting angle to position the top of the tree further back – maybe not right above the base of the trunk, but further back than it is now.

I’d do this all at once but it would change the appearance of the branches and make the tree look crooked in the pot. Instead, I’ll make minor adjustments over the coming years to see if I can create the shape I have in mind for the tree.

(Clockwise from top left) left side, back, front, right side

News & Updates

[Local Show]

  • The Redwood Empire Bonsai Society is hosting their annual exhibit on August 22-23 at the Rohnert Park Community Center, 5401 Snyder Lane, in Rohnert Park, California.

    The event features an eighty tree exhibit and demonstrations both days from 1:00 – 4:00 by Sam Tan. Shopping options include member tree sales and a great selection of trees and supplies from thirteen vendors.

    I’ll be vending at the event so feel free to stop by and say hi!

[Regional Show]

[Online Store]

Draft judging instructions for the PBE

22 August 2026 at 00:58

For years now I’ve wanted to write a guide to help judges think through the process of scoring the trees displayed in the Pacific Bonsai Expo. It’s one of a small number of exhibits where the exhibitors are the judges, and we don’t expect the members of the judging panel to all have broad experience scoring bonsai. In an effort to encourage more people to gain this experience as judges, the PBE provides incentive for enthusiasts to learn how to evaluate bonsai effectively and an opportunity to practice.

The scoring system is simple: β€œProvide a score of 1-5 for each display in the exhibit with 1 being the lowest and 5 being the highest.”

As a starting point, I’d like to encourage the judging panel to take full advantage of the 1-5 scale. It’s perfectly reasonable, for example, to award equal numbers of 1s, 2s, 3s, 4s, and 5s.

I think of 3 as being an appropriate score for displays of average quality among the displays in the exhibit. Scores of 4 or 2 can be applied to displays that are somewhat above or below average quality for the event. Scores of 5 are appropriate for trees that are contenders for awards. Remaining trees can receive a score of 1.

Bill Valavanis double checks his scores at the 2024 Expo

In the past, some judges avoided using scores of 1 or 2 arguing that the trees in the show were a high quality. Doing this effectively limits these judges to using a 3-point system – a system that’s far less granular than the 5 point approach.

Put another way, by using a 5 point system, we’re asking judges to sort the trees into five categories for the purposes of identifying the displays with the highest scores for each category.

That covers the basics for using a 5 point scale to score the show. How then to determine which displays receive which scores? Here’s where a judging rubric enters the picture.

The best outline of how to judge a bonsai show that I know of is Ryan Neil’s Judging Rubric from the 2015 Artisans Cup. After setting out how the judging will occur, the rubric describes successful displays in terms of both technical and artistic merit.

Engelmann spruce at the Artisans Cup

Among technical considerations, the rubric calls out tree health, branch density, and the idea of craftsmanship as it pertains to cleanliness, development, pruning, wiring, pot preparation, and accents. Among artistic criteria, the rubric calls out features to consider for each element of a display, the tree or trees, container(s), stand(s), and accent(s).

I think this is one of the strongest passages. Here’s the full section relating to trees.

  • Material is of quality and value/interest
  • Design is a good representation of the species as it occurs in the natural environment, OR design is a good representation of a shape as a bonsai. (Some trees look like trees in nature, other trees look like a bonsai. Both are equally as valid. Is the design well executed? Personal opinions and personal preferences are not welcomed or permitted. Judge Objectively!)
  • Features of tree are well considered and utilized in design
  • Design flaws may exist but have been addressed

In just a few bullet points, the rubric gets to the heart of the matter: is the tree interesting, and is the design well considered and well executed. Similar criteria guide the scoring for containers, stands, and accents.

My approach to judging often begins with a consideration of what the tree brings to the equation and what the artist does with it. All bonsai have starting points, whether as seeds in our care or ancient specimens found in nature. Characteristics inherent to a tree matter when evaluating bonsai, as does the work of the artist in terms of material selection, care, design, and maintenance.

To provide more structure to the process, I’ve created draft instructions for judges for the upcoming Expo. My hope is to receive feedback from the community over the next month so we can publish final instructions before the submission period opens on October 15th.

Draft Instructions for Judges

Feel free to check out the instructions and let me know if you have comments or suggestions that can inform future drafts.

News & Updates

[Local Event]

  • The Redwood Empire Bonsai Society is hosting their annual exhibit this weekend at the Rohnert Park Community Center, 5401 Snyder Lane, in Rohnert Park, California. The event features an eighty tree exhibit and demonstrations both days from 1:00 – 4:00 by Sam Tan. Shopping options include member tree sales and a great selection of bonsai and supplies from thirteen vendors.

    I’ll be vending at the event so feel free to stop by and say hi!

[Regional Event]

  • The Naka Memorial Exhibit Bonsai Show is this weekend, August 22 & 23, at the George J. Doizaki Gallery in Los Angeles. The exhibit is open from 11:00 a.m. to 4:00 p.m. both days.

    For those who haven’t visited before, it’s a juried bonsai event held in conjunction with the Nisei Week Celebration at the JACCC. If you get the chance to visit, be sure to thank event chair Julian Tsai and co-chair Ryan Pitts for coordinating the event. Learn more at the Naka Memorial Exhibit website.

Wanborough Country Show 2026

By:PB
22 August 2026 at 21:06

Another very warm and sunny day at the Wanborough show 2026, as well as the main marquee display we had a gazebo for a workshop which the visitors found interesting. Unfortunately a sudden gust of wind destroyed the gazebo but at least the trees survived. Sorry that my photography couldn’t cope with the very strong sun in the marquee as it was behind the trees, but it gives an idea of the tree display. A huge thanks to all who made this a great day enjoyed by a large amount of visitors.

The post Wanborough Country Show 2026 appeared first on Swindon & District Bonsai.

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