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Janice’s Buttonwood

27 July 2022 at 00:59

This is Janice’s buttonwood. You’ve seen it before in the post Who doesn’t have a buttonwood in Florida from a few years ago. Since then, it was shown in the 2021 Bonsai Societies of Florida annual convention, and its just gotten better. Janice found a new pot for it at this year’s BSF convention (2022) and that’ll be the main work today.

Here it is now, in The Nook.

To begin the story, here are some progression pics.

Here it was in 2018.

Here it was in 2019 (at the end of this blogpost)

At the 2021 BSF Convention.

And, finally, back to today.

The tree was originally scheduled for the 2020 exhibit but, you know what happened that year. As a result, we didn’t repot it in 2020 or 2021, and this year I’ve been working on letting it gather sugars so I can do some work on it. Hence the big leaves.

It had a mild chili thrip infestation at the end of last year as well, and we treated it with imidacloprid, a systemic insecticide.

But the tree is strong now, and ready for some work.

I’ll also be cleaning and applying lime sulfur to the deadwood, which is, as you’ll see, sometimes easier when the tree is in the middle of a repot.

First step, defoliation. I know, oooooooohhhhh, controversial. It astounds me that so many professionals not only poo poo defoliation as a valid technique, but try to vilify those who use it. One of my catchphrases I use all the time is “horticulture is a science, but the practice of horticulture is an art”. That’s why two people can use two seemingly different techniques and still achieve success. Most of bonsai technique has more to do with the timing and seasonality of the technique and less to do with doing it. Here’s an example: there aren’t any arborists that suggest that removing a pine trees candles is ever a good idea. Yet, if one does it at the right time, the way we bonsai practitioners do, the tree responds with increased vigor and better growth.

There are prerequisites to de-candling a pine tree, one of them being the tree should be in good health, but the science of horticulture says “don’t do it”. Yet we do. Why? Because, the practice and timing of the technique works. As it does with defoliation.

Anyway, here’s my quick method for defoliating a buttonwood. They tend to grow like little rosettes, as below.

Take the branch…

…..move your hand to the end of the branch, holding the leaves…

…..take a sharp pair of scissors….

…..SNIP…..now, depending on whether you want to keep the grow tip intact, to continue the elongation of the branch, or you want to encourage backbudding, is what determines how close you snip the leaves off. I left the grow tip intact in this case, as you can see below.

On some, I’ll keep the tip, on others, I cut it.

Here’s something you don’t see everyday, flowers on a buttonwood. Yes they flower, everything flowers, but it’s only when you let it grow and it’s healthy do you see it.

You may notice some black sooty mold on some of the leaves.

Whenever you see it, always check for aphids or scale.

In this case, its not this tree that’s infested, it’s from a tree that was above it on the bench.

Snip, snip…

Snip, snip….

No, I didn’t count how many leaves. Ain’t nobody got time for that.

Now it’s time to repot. I would normally repot a buttonwood, in Florida, every year. It’s been my observation that the tree can weather the winter weather better if you repot yearly.

But this tree had been selected for the 2020 BSF Convention exhibit. Unfortunately, that was the year of Covid lockdowns, so the convention was cancelled, and I lost several months due to my own health problems, so that year was skipped. And the tree was shown the next year, 2021. So I skipped that year too. Sometimes getting a tree ready for exhibition can really stress a tree out.

This year is the year though. And I’m not looking forward to it. It’s potted in a container with sides that bow outward (they call it a “bag pot”). It’s a pretty design, but the roots will fill up that space, making removal a bit difficult.

But, no worries, I have my “1980’s era” repotting tool, the ubiquitous black handled, serrated, steak knife.

Before I begin sawing the tree out, I’m going to save the moss. Janice loves moss, so I’ll put it back on the soil surface when I’m done.

I got a little.

Now, let’s see how difficult it’ll be getting the tree out.

Simply saw around the perimeter, and pry the tree up every few inches.

It’s actually going kinda easy.

Ta-Da!

Now we gently rake out the roots. For a buttonwood I prefer a single tined rake or just a chopstick. The American Bonsai Tools repotting tool works well here.

It definitely needed a repot.

Before we finish, let’s look at, and get ready, the new container Janice chose.

It was created by Doug Marcum, from Hippie Dad Bonsai.

I think it’ll be perfect for the style tree, and, most importantly, Janice loves it too. It is her tree, ultimately.

The details are amazing.

He even has bent over nails made from clay, to make it look like a wooden box thrown together.

I rake out the roots and trim some back, and check to see if it fits in the new pot (you can see the process better in the post Jorge’s Buttonwood, from a few articles back).

Before I put it into the new pot, I’m going to use a wire brush to clean the deadwood (“Wire brush?” You ask, because it works. You’ll have to say that part out loud to get the joke). It’s also easier to clean the deadwood while it’s out of the pot, better to get at all the surfaces if you can turn the tree upside down.

Scrub scrub scrub.

Brush it down to bare wood, really removing all the dirt, grime, and old lime sulfur.

Then put it into the pot. I fertilized, then placed some imidacloprid to keep the chili thrips at bay, and then added that saved moss.

Then, since I’m going to lime sulfur it, I water and make sure to get the deadwood wet.

Lime sulfur needs to go on wet wood to help it penetrate deeper.

I’ve had this bottle for a while. I don’t think it’s available from the Hi-Yield company anymore, but you can get a similar sized bottle for very little money from veterinary supply companies (here’s a link, and no, I don’t do any affiliate marketing links, so I’m not getting paid to promote it: Click here you’ll notice that a big bottle, in this case 16oz, costs about the same as a 4oz bottle from bonsai sources. And it’s the same chemical, that’s your tip of the day. You’re welcome)

Get yourself a glass or ceramic, non reactive vessel, a cheap paintbrush, and paint it on.

Yes, it goes on orange, but, don’t worry, it bleaches white.

It won’t hurt the soil but it could damage the glaze on the pot, so I cover them both with a towel or newspaper.

Then I paint. Since it will flow down, being as it’s a liquid and we live in the gravity well known as “the earth” I usually start at the top and work my way down.

This is the cool part, I coat the whole surface of the deadwood, full strength btw, and it’ll look like this:

And about a half hour later, it bleaches white, quite nicely.

Now, before I finish with some wiring, I’ll speak to those that don’t like the bleached white look. First, it’s important to use lime sulfur. It is technically a fungicide, and it slows the decay. If you don’t like the white, you can add a darkening pigment, like India ink or acrylic paint, but, in a few months, the color will fade anyway, so there’s no real need to add the color unless you are showing the tree soon. Me, I don’t mind it. I think it works artistically, and Janice likes the bleached look too. But you do you, it’s your tree.

Now for a little wire and some minor pruning….

And Bob’s yer uncle.

The tree is really developing well. The branches are thickening, and developing strong ramification.

I am liking it more and more.

Wellesley’s buttonwood: notes on defoliation

19 August 2022 at 16:39

In La Florida, we have people we like to call “snowbirds”. They’re a breed that lives in Florida for most of the year (primarily in the cooler months, hence the “snow” part) and then travel up north (the “bird” part, like an annual migration) in the hot months. Now, I’m from up north originally, and I don’t understand the concept as I can remember summers in Massachusetts being stiflingly hot and many homes don’t have air conditioning like Florida homes do, and the evenings can stay hot all night long. Here, the temps tend to drop because we, though we are tropical, have this thing called “radiational cooling”, like in a desert, meaning the heat radiates off to space at night. We can sometimes drop by 30°f. That’s like going from 35°c to 18°c, or 95°f to 65°f, especially if we have an afternoon thunderstorm.

Anyway, Wellesley is one of these snowbirds. She lives in Ft. Myers FL and goes to New Hampshire for the summer. As such, she’s left several trees in my care, two ficus and two buttonwoods (you’ve seen one of her ficus in these two posts first appearance and second appearance ). They prefer the warmth and grow best in the heat, especially the buttonwoods. This is one of them today’s victim:

I’m just starting to cut the leaves off. Aha! Defoliation. What, why, how dare I!

Well, my friends, why? We do it for reasons.

Or we should. Let’s describe what happens when we do defoliate. and we will get to the why and how as we go along.

Firstly, most people think we do it to get smaller leaves. That’s a true story. But that shouldn’t be the only theme in the story. Like I said, there are reasons, and leaf reduction is one. But not the most important reason.

Let me list some reasons:

Leaf reduction. Branch elongation. Branch ramification. Reduction of transpiration stress. Removal of diseased, damaged, or old/inefficient leaves.

Let’s work backwards and jump around hither and tither, as I like to do.

If a leaf has been damaged by insects, or disease, or is just old and inefficient, remove that leaf. There’s a point, from any of the three above reasons, where that bit of foliage (leaf, frond, needle, scale) will take more energy than it gives back to the tree. I.e., pine trees, in development, get their older or damaged needles plucked for this reason.

Remember that a plant is basically a solar panel, taking the sun’s energy and converting it to energy. In this case, carbohydrates and sugars.

For this reason, I don’t agree that cutting a leaf in half is beneficial to a trees growth, like below.

Now, doing this can help in the reduction of transpiration stress, but that’s kind of just turning off the growth hormones until the weather breaks. The tree still has green, and it won’t grow until we remove enough of that leaf to trigger an abscisic acid response, which causes new growth at the dormant bud.

On a buttonwood, I remove at least 95% of the leaf, but I reserve the two glands on the base of the leaf, just before the petiole (I discuss this in the post Jorge’s buttonwood, if you’re curious).

Branch ramification. At the junction between the petiole and the branch, we have a dormant bud that, when activated by cytokinin, will grow a new bud, and not just a new leaf but a new branch.

Hence, if we defoliate and cut the grow tip at the end of the branch, we get more branches, and we call that ramification (there are two hormones in play here: auxin and cytokinin. Auxin causes a branch to elongate, cytokinin causes dormant buds to activate. In this scenario, the auxin is the dominant hormone, and suppresses the cytokinin. Auxin collects at the grow tips. Therefore, if we defoliate but leave the tip intact at the branch end, we get branch elongation. But if we cut the tip, we remove the auxin, which makes the cytokinin dominant, causing backbudding. It’s like a computer program). Kinda like on a pine tree when we pluck needles and cut candles.

Now, today I’m repotting. Defoliation in this case helps the tree with transpiration stress (it will do all those other things we are talking about too). Transpiration is when a tree pulls water up from the roots, into the leaves, and evaporates. It does this so that photosynthesis can occur (photosynthesis takes the carbon dioxide from the air, water from the roots, and using the sunlight as the energy source, breaks the carbon dioxide and the di-hydrogen monoxide (water), and makes carbohydrate. Carbon and hydrogen. This process creates oxygen, or O2. Wow!).

Anyway, the defoliation and root reduction during a repot helps to balance that transpiration. There are times when you should not defoliate when you repot, which I will cover in an upcoming Brazilian Raintree post, so you’ll have to wait for that one.

Now, back to our tree. I’m repotting (which is a specific potting technique I discuss in this post) to get a more artistic planting position. But I know (from experience) that this tree will recover faster with a defoliation.

Here’s the pot.

An American made pot.

From Forest Inn Pottery. It’s a good pot.

The style this tree is mimicking is how a buttonwood grows naturally in the Florida Keys, twisted, gnarly.

All these bends and switchbacks are natural.

It’s hard to mimicking that in a styled tree.

Below, this was wired into place; not as dramatic.

So the idea here to pot it to show off all those features.

And, of course, I fertilize, add some prophylactic systemic insecticide for chili thrips, and add some sphagnum to the soil top, and then pre-emergent weed preventer.

This brings us to the last reason we defoliate: smaller leaves. The worst reason. It is true that we get smaller leaves when we defoliate. The reason is that a plant needs only a certain square inches of leaf surface to be efficient and to have a balance between energy needs and transpiration stress. So if we cut off all the leaves, those hormones will go crazy making new ones, and they’ll make 2-3 times the amount their tree had before. But once it reaches that harmony, the leaves stop growing larger. That’s your smaller leaf right there.

But, if we build our branches, and defoliate, prune, and cull unwanted branches, like we should be doing, and we do it seasonally and properly to the trees developmental stages (both yearly and throughout the year) we will have more branches, and, therefore, more leaves, and they will be smaller by default.

Two things to add. First, the why’s, when’s, and how’s of defoliation are different for each tree. That’s why I kept mentioning pines. And secondly, and I’ll put it in bold to make it more bold: ONLY DO THESE TECHNIQUES ON HEALTHY, GROWING TREES.

And that’s the way it is.

If you want to read more about how plant hormones guide growth, go to this post: I use some fancy words to justify my defoliation habit, go figure.

Art is a lie that makes us see the Truth

21 September 2022 at 19:48

That quote, in all its incarnations, has been attributed to artists, writers, poets, philosophers, actors.

Like this Ficus microcarpa, the quote comes in many varieties. This tre was once called “nitida”. Kinda like a tiger bark but without the bark.

Get out the saw, add a little wire. Do you know what the purpose of wire is? It’s two-fold. The first is obvious, to hold the branch while we bend it. The second is to protect the branch from breaking, as we bend it. Kinda like when we are under stress, sometimes a blanket or a hug takes the stress off of us and makes the change easier.

But……

……it can only protect where it touches. Let your friends into your life.

….that’s what life is, spending moments and remembering those moments when, perhaps a shared joke, or a drink, or meal, make the loneliness that is the true reality of man, go away for a little while. And it’s those moments one should cherish.

Brazilian raintrees were brought into this country (the USA) by a man named Jim Moody. I never met him, I don’t believe, but I was good friends with his grandson, Allen Carver. He left us recently. I never got to say goodbye. But every time I work on a Raintree, I think of him.

Gnarly.

This one came from Jim, to Michael Cartrett, to Javier Cortez, it was an air layer off a big tree that grew in Mike’s yard. And it went to another friend who went his own way, Jose Perez. He had to sell it after a divorce, and now it’s Doug’s. I get to work on it from time to time.

The story of trees are often as compelling as the trees themselves.

I’m glad I get a part in the story. A small part.

Tuning a guitar. Trying to get the spaces between the strings just right. So that the song sounds good. That’s Jack, a good friend I don’t get to spend too much time with.

Life is not the counting of numbers, it’s the space between those numbers.

How much can you fit into an hour, a minute, a second? How much should you? Can the appreciation on that infinitely divisible moment of time between the seconds in your life be enough, or do you need to fill up those moments with importance?

How many beats per minute does your heart count? Are we promised only so many beats per lifetime? Is it written in our genetic code? Or do we just time of the calculation and stop counting? How many leaves on this buttonwood? Does it matter?

It’s like the space between the branches. The air around the tree. This gives meaning to the tree.

And some things you just gotta see in person. Go to a bonsai exhibit, or all you’re seeing is the blast of pixels in an image against your retina. We “see” with all our senses.

The best story will never be written because it’s your story and you’re making it up as you go along with your life.

The story has truth and lies. And even the most honest of us have all these things we tell ourselves to help us get through the day. But we believe them.

Kurt Vonnegut said “We are what we pretend to be, so we must be careful about what we pretend to be.” in the novel Mother Night, in 1962. Harsh and cruel. You should read it.

Another buttonwood. Let’s help it along. It needs stress and pressure to forge it into what it wants to be.

It needs that blanket so the branches don’t snap and break, as we bend it. This time there’s wire and a secondary wrapping of self amalgamating, rubber, electrical wrap.

How about this pot? Made by an auto mechanic that builds transmissions. Lynn Baker, goes by the name Herr Lynn. A local potter from the west coast of Florida.

I think it adds to the story.

But the story is false. This buttonwood may have started out on a beach in Florida, but it’s nature wants it to grow straight. Like the branches in the first pic

That’s why it’s species as designated as “erectus”. Like the hominid Homo erectus, an ape that walks upright, Conocarpus erectus will grow straight, but if it’s in the environment like the southern Florida coast, with the hurricanes, the sun, the surf, alligators and crocodiles, and the land developers and tourists, all causing stress and beating down and torturing the tree, it will be transformed into the twisted trees we so love.

We have to tell a story, a true one, but not true in this case, of all the struggles a buttonwood can go through and live.

To get back to our initial pondering in the title of this article, it was Picasso who was first quoted saying that art is a lie, in 1923. Here’s the full quote, translated from Spanish:

“We all know that art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his work that he has searched, and re-searched, for the way to put over his lies, he would never accomplish any thing.”

LeAnn’s buttonwood

6 September 2023 at 23:02

That’s Washington DC. I think. Lots of converging lines and paths layered on top of each other. I posted a similar insane street map last time I was up in the area and I visited the Bonsai and Penjing Exhibit at the National Arboretum .

I was too busy working this tour to get to see the Collection. That’s ok by me. I like working. To be human is to work. To find meaning in that work is the sole purpose of this life on this earth.

Anyway, there’s room for philosophy later on in the mid and last section of this essay, so, as promised in the last post, here is LeAnn’s buttonwood.

She said it was collected (as most in the USA are) by the Buttonwood Queen herself, Mary Madison.

LeAnn is the lady in lavender (purple? Lilac? Not periwinkle, or plum, for sure) hovering behind me.

She waited very patiently while I worked through all the other workshop attendees trees and finally got to her tree.

It desperately needed a repot. I teach my students in Florida that buttonwoods need a repot every year. Up north, like here in Virginia, it’s not so important. Unless you use a horticultural heating pad, that is. (Wait, is Virginia “Up North”? I’m not sure. Where’s the Mason-Dixon Line?)

Ok now…..WHAT? (not the North/South thing, even I’m not getting into that). What’s a horticultural heating pad?!

Here’s a few secrets for my northern tropical bonsai growers. First: get grow lights. We are in a golden age of indoor growing of plants. Yes, due to the legalization of cannabis, mostly, but we gain from it because all kinds of grow lights, from full spectrum LEDS to metal halide, are available almost anywhere for cheap. So get yourself one. But…BUT..secondly: heating pads!!! Horticultural heating pads are the game changer for those that need to bring in their tropical trees for the winter (one should always put your trees outside for spring and summer, there’s no replacement for the sun and rain. None). Most tropical trees growth habits are dependent on temperature. But not just ambient air temps. It’s the temperature at the root zone, in the soil, during the evening, that makes tropicals grow.

Which is why we here in the Sunshine State don’t repot buttonwoods until nighttime temps are above 65°F for at least 6 weeks after the repot.

In sweet Virginy, this particular operation is taking place in the middle of July, and LeAnn has the rest of July and most of August to grow more roots. So no worries there for her. But I knew of a guy in Cincinnati that repotted his buttonwoods in January. He had a greenhouse and heating pads. That’s where I got the idea.

Anyway, we got the buttonwood out of this pot:

And into this pot:

We wired it, tried to bend some deadwood with the torch and steam technique (only partly successful) and, now, just to make you wait, how about a bumble bee and a moth on a coneflower?

Awwwww, ain’t that cute?! LeAnn has an amazing garden and an even amazing collection of trees.

Here’s one of the more developed bullhorn acacias I’ve seen.

And a twin trunk willow leaf on a rock (a rock from Hawaii I believe, where LeAnn hails from).

And now, the buttonwood.

It’s an impressive specimen.

You can kinda see the burnt section where I tried to bend a straight piece of deadwood (middle of the below pic. It was ramrod straight).

View from above.

The constant reader is asking, “Why are there still leaves on it?”

Well, we are in The North, and the sun isn’t quite so strong as in La Florida, so, even though we are in full summer, I’m not comfortable totally defoliating a buttonwood up here.

And the main thing I don’t want to do is to kill this special tree. We really beat up the roots when the repot happened, and foliage is what grows new roots, so I left the foliage. Simple calculus, as they say in the movies.

And the tree was collected by Mary. Here’s the last pic I got of her before she passed away (that’s her daughter Terri, behind her).

Mary was such a force in bonsai, it’s hard to believe she’s gone. I truly miss her. There won’t ever be a woman in bonsai like her again.

And it was an honor working her tree with LeAnn. Thank you!

One last tip, and I learned it from Mary. Since we beat up the roots so much, I advised LeAnn to set the pot in a tray of water. One deep enough to cover the drainage hole. This will help the tree to grow new roots. Contrary to what I’ve said before about air being important for root growth on other trees.

A buttonwood lives in the coastal saturated zone, where mangroves grow, by the ocean, and are used to water. In fact, to make a cutting root, the easiest way is the old fashioned “Put the cutting in water” method. Oftentimes (don’t tell anyone) when we collect buttonwood, it’s really just a big cutting, with no roots at all, and we place the tree into the pot, and, as LeAnn is doing, place that pot into a tub of water.

One can, as many often do in bonsai, point out the unscientific practices of bonsai people. I do it often. But I have a saying I use religiously, and it applies to bonsai practice distinctly:

“Horticulture is a science, but the practice of horticulture is an Art”

I’ll leave you with that to mull over. Quote it to your best friend and your most divisive foe. It’ll separate the wheat from the chaff, real quick.

❌